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Hugo Montenego, His Orchestra And Chorus* - Good Vibrations / Tonys Theme (Vinyl)

18.11.2019

8 thoughts on “ Hugo Montenego, His Orchestra And Chorus* - Good Vibrations / Tonys Theme (Vinyl) ”

  1. Most reworks should never take place especially when the original involves a master like Ennio Morricone. Hugo Montenegro and his orchestra provide one of the rare exceptions to that rule. Montenegro, a legend himself, created the theme music for several well known TV shows including "I Dream of Jennie" and the "Man From UNCLE."/5().
  2. Oct 03,  · Hugo Montenegro & His Orchestra and Chorus - Topic 6, views 50+ videos Play all Mix - Hugo Montenegro - Theme From "The Fox" YouTube.
  3. A1: Good Vibrations: A2: Classical Gas: A3: Another Time, Another Place: A4: Tony's Theme: A5: A Future Left Behind.
  4. May 05,  · Filmmusik von Hugo Montenegro zu dem erschienen Film "Lady in Cement" mit Frank Sinatra und Raquel Welch. Gefunden auf der Platte "Good Vibrations" ( auf RCA), wo es eine erstaunliche.
  5. Love Theme From The Go Hugo Montenegro. CD: $ Loves Of My Life & Ell MONTENEGRO,HUGO & ORCHESTRA. CD: $ Come Spy With Me Hugo Montenegro & His Orchestra. CD: $ MP3: $ Moog Power MONTENEGRO,HUGO. CD: $ by Hugo Montenegro on Good Vibrations. Happy Together by Hugo Montenegro on Good Vibrations.
  6. 7" Single on 45cat: Hugo Montenegro, His Orchestra And Chorus - Good Vibrations / Tony's Theme - RCA Victor - USA -
  7. Jul 15,  · A3: theme from television production "The Outcasts" A4, A6: from the Twentieth Century Fox release "Lady In Cement" A5: theme from "The Big Valley" B2: from the Paramount picture "Rosemary's Baby" B3: from the Broadway production "Promises, Promises" Artist as on labels: Hugo Montenegro His Orchestra And Chorus/5(19).
  8. Pre-moog work from Hugo Montenegro – but a set that's still pretty darn groovy! The Beach Boys reference in the title is very well put, as Hugo's using some cool harmony vocals for the record – a chorus that definitely takes some of its inspiration from Brian Wilson, singing here both with lyrics, and some wordless modes – not on every track, but used enough to give the record a really.

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